bass cadet records comes back with a solo release by etienne from arcarsenal under the solune moniker. four crossover pieces of music mixing multiple layers of influences circled between house, ambient, soundscapes, dub techno and tribal rhythms.

we are very glad that our favorite spanish producer eduardo de la calle is back to mule musiq. there are four deep analog techno tunes.

the sixth release on voitax acid dedication is on the cutting edge between fast running 90 s acid revivals and deep timeless pieces. the first four tracker is a mix between abrasive techno tracks and mindblowing top notch stompers. voitax keeps pursuing the path of the undefinable while dedicating their passion to the sound and less to the producers behind the releases.

with this new project, madben & yann lean get back to the essence of techno with a raw sound based on groove, textures and catchy hooks. influenced by 90’s rave sound et artists like jeff mills, surgeon, dj pierre, dave clarke or dj funk the french producers like to write their music on-the-fly and are adepts of a very spontaneous track conception. with trunkline they bring back the unique texture of analogic techno. trunkline’s vinyl label will release the duo’s eps. they plan to release one maxi per trimester. the project will also take to the stage as a four deck dj set and then a 100% machine live performance in the summer of 2016.

wc & abono deliver the third instalment for allisandnot. four tracks that span experimental techno and tough house, all sourced from deserts and forgotten lands.

los angeles-based producer ashtrejinkins steps aside from the beat scene that he has long associated himself with on “hood temperature” under the brown irvin alias. four cuts of bare-boned experimental house and techno - the sonic equivalent of standing on a street corner in south central l.a and observing the scene at 3am. it also features a remix from london-based producer g.w. under his ruffien alias.

after the success of snfw001, the edits series returns featuring the same four artists as the initial offering: aries, lk, steven b.c & deejay astral.

the grooves of thomas white and pete williams aka natural rhythm, have been a mainstay in the sets of robsoul boss phil weeks for more than a decade. today he pays ‘tribute’ with a special re-release of some of his favourites. born in a garage in the late 90’s, natural rhythm was a meeting of passionate musical minds. working together the pair sought to create their own style and sound, influenced by the tracks they were regularly spinning in their own dj sets across the country. creative sampling and their own raw beats, together with live instrumentation and regular guest vocalists, saw natural rhythm create a strong catalogue that, as we know, are still getting played today. with three albums and over 35 ep/single releases to their name, there more than enough music for label boss weeks to select from for the tribute ep. a tough job? of course. however, phil went straight for the four that never leave his box. leading the ep are the sun-drenched vocal vibes of ‘something big’, the title track of natural rhythm’s 1999 release on under the counter. our a2 is the lead track from 2001’s last call at the martini ranch ep, ‘chicago nights’, with its quaking bassline and disco dalliance. on the flip we’re treated to a choice selection from natural rhythm’s 1999 double album contrast in nature. first up with its celestial chimes and thumping kick is ‘smoldering island’, taken from the original part 1. closing the tribute release and taken from part 2 is the devilishly funky and suitably titled feelgood jam ‘energized’. we definitely are!

after releases on nowar, terpsichoré and cinematic, french artist the florian muller project gives parisian label escapade their second release. the four tracks span across a wide range of electronic sounds, showcasing the artists rich influences. friday afternoon opens the record with a solid house groove featuring a beautiful rhodes solo. hommage galactique pays a tribute to detroits hi-tech jazz sound pioneered by underground resistances galaxy 2 galaxy. on the b side, the forian muller project leaves out his jazz influences. the hypnotic sounds of frederique conjure up a mysterious, almost jungle-like, ambiance and low tech soul ends the record on a deep and atmospheric techno vibe.

lisbon event promoter - frenzy - delivers its second release. on the a side, pedro goya achieves a crafted dub house tune and gets reshaped by tommy vicari jnr. on the b side, accatone drops a proper four on the floor track. a 90’s flavoured house tune filled with groove and simple chords that got twisted and remixed by chris simmonds. only 300 copies available. vinyl only

solkyss are back with a four track blender. on the a side are two thumping tracks from the stockholm based duo subdued camel - one rolling deep and one soaring airily. on the b-side we find solkyss regulars with two tracks that differ in character. lonely shark is an afterglow tune with a driving beat set under an experimental soundscape. from ensam comes another sun struck, funky piece with that signature cinematic dreaminess he showcased on his debut ep eee.

for number 09 office recordings comes up with four slow bottom up intense house groovers

(vinyl + download) thomas werbrouck (little trouble kids) has a new project called krankland, a four piece band with christophe claeys (sx, magnus, balthazar) on drums, thomas mortier (yuko) on bass and janko beckers (faces on tv) on guitar.

outstanding four-tracker from vaasa, finland, crossing basic channel grooves with more cosmic, synthy vibes. soulful, hands-on, swirling, spaciously grooving.

deep, extra-ordinary minimal techno sounds out of slovenia from ljubljana’s vid vai! minor transgressions ep unique release that have four groove tracks.

football, cycling, the olympic, tennis… summer days bring us many of the great sporting events of the year, and, for the last four years, its also when guts and mambo release their annual production of beach diggin. 180g, gatefold... tip!

darauf haben die vinylliebhaber unter den pink-floyd-fans sehnsüchtig gewartet. die rocklegenden veröffentlichen all ihre alben nach und nach wieder als lps. im juni 2016 ging es bereits mit den ersten vier platten der band los, im august folgten weitere alben. im september wird die reihe nun fortgeführt, unter anderem mit »obscured by clouds«. remastered von den analogen original-tapes und gepresst auf 180 gramm vinyl.

insane hyper hybrid combo of wave/house/techno by murray cy of glasgow. the cy stands for -contort yourself- the label he runs which bridges the gaps between lost sounds of the past and contemprary noise makers, this ep displaying the producers take on the sound perfectly. all four tracks move in their own way from mid-tempo heaviness to more peak time fare. this is the rough back alley stuff you ve been warned about!

vinyl only. handstamped limited copies. the parisian producer mancini gives us his vision of house music in this four track ep.

ruff stuff music ltd returns with the third installment of the untitled series. the new chapter features four house weapons from the label s founders which, as always, pay attention to the different needs of different dancefloors. untitled03 is a mixture of the main influences that shaped the ruff stuff sound through the years: groovy main room house filled with raw samples, a touch of deep and breakbeats, and some acid melodies in the closing track. just put the needle on, push play and dance! vinyl only, limited copies.

having bared his ego back in may 2015 and then more of his skills on a contribution to the robsoul edits collection earlier this year, long time label buddy joss moog returns with a fresh selection of beats on ’triple loop’. belying its name, we’re treated to four new sure shots from moog who, reknowned in the art of sculpting perfect party jams, has delivered once again. the stripped and simple vocal loop of the title track opens the ep, followed by the warm, buzzing bass and smooth jazzy keys of ‘etincelles’. on the flip the frenchman funks things up and breaks out the snares. disco stabs, vocal drops and rasping hats are all woven together to emphasise the classic groove. these are the breaks… amen. back on the 4x4 to close and josh lets the piano lead the dance on the smooth and soulful finalé of his latest robsoul treat.

aiken is back on his homebase. the third release on his selfcurated techno imprint counts four headnodding floor jams. hypnotic melodies searching their way through rumbling percussion patterns. this is trademark deep techno from madrid.

&apos’s music veers between abstract, experimental compositions and more beat driven tracks, all held together by a defined aesthetic of sonic impurities and random patterns thrown up by algorithmic computations. in &apos’s music compositional decisions are not merely reliant on himself but also on a range of processes from constrained randomness to full fledged neural networks. that is to say, the ‘instruments’ he creates have -to a certain extent- a mind of their own. there will always be a dynamic between the musician and something else that triggers, proposes or decides what will happen to the music.it is exactly from this human-machine interaction that &apos extrapolates his musical ideas that are both intricate and detailed while never losing an overall sense of emotional value. his first solo project ‘lichtdrank’ is a selection of four tracks made during his time studying sonology at the hague’s royal conservatory and the time following. it is the third and final installment of bepotel s startuplabel trilogy. previously, he has released music together with walrus and sagat under several musical projects like smaakwaterval and bepotel. the artwork of the lichtdrank ep is based on screenshots from an interactive multiplayer video game where the musical universe of &apos can be explored.

produced by paris-based group dasein, pays sans visage is an audiovisual work which takes us at the heart of a nuclear disaster. its ambient/drone oriented soundtrack gets a reinterpretation by four producers bringing their own personal set of influences : deikean s stripped-down techno, cyberlife s deconstructed style, yan kaylen s dreamlike exploration, and nulpar s ambiguous intricate rhythms. a post-apocalyptic sounding ep filled with dark visions and dubbed-out intentions.

circus recordings boss yousef teams up with renowned new york producer harry romero on jamie jones hottrax featuring a remix from 8 sided dice founder alan fitzpatrick. liverpools yousef has cemented a solid reputation as a reputable dj-producer whos released on cocoon, desolat, bpitch control and defected, remixed the likes of chaka khan, sven vath, moby, four tet and carl cox, and is also the brain behind distinguished events brand and record label circus. meanwhile, harry romero has been a force within house music for over two decades, with appearances on ovum recordings, subliminal and suara, whilst alan fitzpatrick has done recent remixes for prime numbers, hot flush and hypercolour when not releasing regularly on drumcode, cocoon and duskys 17 steps. arriving on hottrax, the artists join a roster spanning patrick topping, waff, mat.joe and jamie jones himself. a purring bassline drives im behind you forward whilst intricate percussion joins echoing notes to generate a low-slung groove. recent fabric mix series inductee alan fitzpatricks remix then ups the tempo by utilising heady piano melodies and piercing stabs before yousef concludes the package with a crunchy solo outing titled tightrope that boasts energetic drums and stuttering vocal snippets

limited first pressing of 500 numbered copies on yellow 180 gram vinyl, including 4 page booklet and housed in a pvc protective sleeve.
pelé: birth of a legend tells the miraculous story of the legendary soccer player’s rise to glory from a young boy, to the 17 year old who scored the winning goal in brazil’s first ever world cup victory in 1958. from a life full of disadvantages and an impoverished youth in brazil, pelé used his unorthodox yet authentic style of play and his unbeatable spirit to overcome all odds, find greatness and inspire a country that he changed forever.
the original motion picture soundtrack, comprised of several styles of latin music, is composed by the indian composer, singer-songwriter, music producer, musician, multi-instrumentalist and philanthropist a.r. rahman (slumdog millionaire). described as the world s most prominent and prolific film composer by time, his works are notable for integrating eastern classical music with electronic music sounds, world music genres and traditional orchestral arrangements. rahman won many awards including two academy awards, two grammy awards, a bafta award, a golden globe and four national film awards.

italian producer dj octopus steps up for the sixth release on vinyl only imprint shall not fade, with his mechanical, percussion heavy ‘the internet’ ep. marco zanin aka dj octopus first came onto the scene in 2013 with a string of releases on respected imprints such as&#894,, hot haus, chiwax, hardmoon & love notes. since then his sound has evolved and progressed massively, now resulting in a distinctive brand of warm soulful, analogue heavy house music. the four track ep, features club friendly cuts best suited for a dark dancefloor.

having made an appearance on the label’s first release, jawgoh aka nick jorgensen is welcomed back to centre source with his full production debut, “serenity now, insanity later”. four club-ready cuts that move between disco, house and jazz. this one’s packed with proper late summer vibes.

a selection of four clubby reinterpretations of red on‘s ambient hardware jam „ghana“. by marrying the eerie soundscapes and delicate melodies of the original recording with their particular style of drum work, a. elm, alex ketzer, the marx trukker and philipp roth push the original tracks into krauty techno and rough, dancefloor focused house music.

four-tracker ep of tracks i found on an allegedly refurbished hard drive i ordered on russian ebay. hand-printed linocut outer sleeve. the dark past side is for you at home: a1 is a slow burning, melancholic acid track, a2 an atmospheric ambient excursion. the bright future side on the flip, on the contrary, is made for the club: b1 is a house banger with one of the most fun breaks in a long time, b2 brings you the summer right onto your turntable.

adesse versions coming on toy tonics! after some heavy releases on numbers, local talk, make love in public spaces and his own white-label imprint, kevin gorman brings us four new raw, heavydriving, superfunky cut-and-paste- house tracks. killers! adesse versions started as a re-edit project while kevin lived in vietnam. it grew quickly, getting him big fame for being the guy playing just dubplates with unknown crazy music only he had. (check his boiler room). gilles peterson, derrick may and larry heard are fans. adesse versions is all about paying tribute to his musical idols and creating timeless music. through rough sampling and raw emotion and as a dj and collector. he is an artist that has toured the world many times over. exclusive edits are a staple, alongside a wide selection of music that comes from a deep knowledge and love of what he does. to hear this in action, check out the monthly adesse versions show on rinse fm.

stockholm-based imprint swedish brandy productions serves up a sultry four track v/a 12 inch with deep and soulful gems. first out on the a side you get the track * legs lover*. equipped with yamaha rs-7000, moog rouge and roland juno 106, moscow based house and techno purist and producer harry light gives us an uncompromising old school deep house groover with crisp pounding beats, stuttering chords and distinct catchy hooks. harry light has previous releases on labels such as artreform, pro-tez and beef to name a few. the a side ends off with the post-disco sounding killer track “overland & sea” by london based producer and dj dan westlake aka westlake72. dan’s sound borrows liberally from the history of club and dance music, mixing and matching eras to create his own contemporary sonic palette, sighting the early and mid 80 s new york post-disco producers such as darryl payne and paul simpson in particular as key influences. on the flip side soultechnic aka deejaykul delivers the deep and classy track “addicted”. rául navarette, the man behind both aliases, has been holding it down since the late 80 s, releasing music on labels like atjazz record company, z records, peng, del, basic fingers and xtrasolar records, and remixing great artists like opolopo, the rurals, gregory del piero, kenny bobien, monday michiru, monodeluxe, diviniti and many more.

four tracks from the strictly lo-fi members, ranging from smooth tropical house vibes, to uptempo acid jams, and a bit of breakbeat.

presenting the fourth vinyl release, los angeles imprint reinhardt welcomes romanian sonic explorer akim# to the fold. culminating in four tracks crossing genres and themes, pulling from influences and experiences throughout a history crafting his art within the bucharest electronic music scene. taking elements of ambient, electronica and techno, channeled through a dream-state lens. the phosphene ep is created for the dance floor with a soundscape sensibility, making for an unmapped odyssey.

for their tenth release appian sounds move back to a full artist ep and invite us to delve into the world of o.utlier. the london based producer delivers four moving productions that will take you on a cerebral journey through delays and phased pads, reminiscent of early basic channel/maurizio recordings. after appearances on efdemins naif and fred p’s soul people music, o.utlier signs, with this accomplished 12”, a remarkable full debut.
as always, limited to 300 hand-numbered copies worldwide. no repress. no digital.

vanta series is the new series for killekill s dancefloor music. the releases come in series, every series comes with a theme and one artwork which is being split in several parts to go with each release. the first series is called -the end is near- and features four records. it comes with an artwork by french visual artist elzo durt. the second record is coming from kamikaze space programme, who delivers three types of tracks:&#8232, type 1 – a nervous piece of bells, percussion and bass&#8232, type 2 – a minimalistic techno night drive&#8232, type 3 – a spacious futuristic soundscape&#8232, type 3 comes with a remix by joefarr, who added some drama to the original and therewith created a proper hit for the darker hours.

final ep of trevor jacksons nine volume series, title track little things features a young (pre four tet) kieran hebden on guitar, an extended blissed out ambient cosmic jam flipped with slo mo tribal percussive work out + life and 4 u a minneapolis style electro funk ode to the island life. 250 copies, dont sleep!

marathons began innocently, as a quick debut ep by an energetic swedish duo we found on soundcloud. within a couple months of chatting with the pair, artur bra&#776,,ndstrom and egil kahlbom, however, we realized our collaboration wasn t going to be simple, so cut and dry, so straightforward, and that s why we find ourselves here, a year after meeting them with a full album, not an in-and-out single, on our hands. what made it complex and intricate, you ask? why d we opt to squeeze eight originals into one long-player, you wonder? well, artur and egil are prolific dudes with fantastic ears and formidable work ethics. a couple of demos quickly sprouted offspring and became four, then six, then ten. rather than fight the arbitrary desire to trim the spread down to a 12inch, we figured we d aim higher and work on a proper album. what we constructed is, in a very classic sense, a long-player. here s that album! it s a sunny, loose, limber, uninhibited boogie through warm disco cuts and wobbly house jams and soulful funk slices. daytime chill-out with a nightclub architecture—or peak hour mayhem with a bright, clearheaded euphoria. marathons swings every which way and suits any mood, so drop that needle and try it on. then repeat, repeat, repeat.

ltd 1 copy per customer, brill four track vinyl from taraval

each of the four untitled tracks offers a different bassline groove paired with slowly unfurling cosmic sound design, featuring synthesizer leads that sound like an aural glimpse into the inner workings of your brain.

four fine deeper emotive techno tracks that are pure bliss!! including a mall grab remix. quality stuff and this will sell out fast just like the previous rhythm nation releases!. recommended!

after his 2012 starpatch release on red rack em s bergerac imprint it seemed seetheroad has retired from music. now he is back - as the very first uk artist in the history of tape hiss - with four twisted pieces halfway between techno and electronica. it’s a kind gesture to the label he gave a hungarian title to the ep. cédrus Út means cedar road, what was his previous location and inspired his artist name at the same time.

originally initiated due to its 10th anniversary in four parts throughout the year 2015, kittball records now continues the limited vinyl series each quarter as a best of kittball” special edition reflecting its most successful tracks within the past period. having the inside tips from january till march on the spotlight, the first edition in 2016 includes originals by demarzo with a track from his debut ep and p.a.c.o.’s beatport-charting collaboration with return of the jaded on the a-side. the b-side presents tube & berger’s latest single set free” together with ghost loft as well as paji’s enormous venom”.

after a sell out release with the man of the hour – mall grab, hokkaido dance club return with their third release, featuring four deep and dusty cuts from new york to new zealand.

he small town boys are back again with an ep full of lovely music straining your feet. synths ran hot, beer cooled down, old school became new school surrounded by tons of deep atmospheres. they put it all together on these four tracks taking you on a journey from the heart of the town around the world. get on your feet!

noisy & drone-ish debut 12 inch by bremen based artist breaklab. electronic organ dkb-44 sound studies.

australian label nightime drama, run by peter fincher (aka vibrio) and shaun franklin (aka trebek) now serves up its second standout release of 2016. this four track affair comes hot on the heels of the last by yoshihiro arikawa, and is a second release on the label by aussie live act, dj and producer trinity, with steven tang and italian based andee on the remix. trinity has also released on ooc, coincidence and android muziq and regularly performs all round europe. his sound deep and cosmic, heady and hypnotic, as the fresh tracks here prove. cascade drive is seven minutes of direct and elastic house with spacey pads and driving drums carrying you through the cosmos. from the earthmothern label and one half of rk s, andee strips it back to a slick rubber kick drum then layers in a forceful acid line and icy hi hats to really get you under its spell. the longform groove is physical and cerebral in equal measure. the next original is expansion, and again finds trinity serving up a hi tech and soul infused deep techno sound that is lithe and liquid, smeared with great pads and truly timeless. emphasis boss steven tang is the perfect man to remix given his style, and his version flips the cut into a more heavyweight and banging techno effort, but one that is just as littered with sci fi sounds, spaceship trails and intergalactic energies.

the formula was simple: marry bubblegum and soul to the absolute sincerity of an enthusiastic child, cross your fingers and pray for airplay. but while the youthful sums of that formula may have grown up and walked away from their illusions of stardom, their permanent records remain. by 1973, michael, tito, jermaine, marlon and jackie were as hip as kids could get—household names, with lunchboxes, coloring books, a saturday morning cartoon, and an alpha-bits cereal commercial pushing the j5 brand onto any kid with television reception. their impressive run of four consecutive #1 singles playing on both pop and r&b stations cemented their appeal to both whites and blacks, prompting mgm to launch the osmonds as the safer (read: white) alternative. and parents? well michael had that wrapped up with his impossible-not-to-love mini-james brown thing. even their song selection straddled both sides, with “zip a dee do dah” and “abc” for kids, and contemporary standards “standing in the shadows of love” and “my cherie amour” for the older crowd. this extreme marketing and merchandising juggernaut created the kid soul explosion. a decade removed from our acclaimed home schooled compilation comes a fresh batch of talent show titans. with enterprising parents, neighbors, and teachers turning play dates into recording dates, groups like magical connection, little man and the inquires, and five ounces of soul emulated the jacksons, who’d made grade-school stardom appear easy as abc. afterschool special: the 123s of kid soul contains 19 tiny tunes ranging from bilingual d.a.r.e. anthem, to james brown bio, to young love and life beyond the playground.

back once again with the renegade masters, to rack & ruin romp on, bringing ill behaviour and dance floor damage wherever they go. this twelfth instalment of the heady edit series sees mancunian maverick neil diablo invite the rejected and que sakamoto to tackle a side each on this floor flaying four tracker.